The journal

Look closer.

Guides to Chinese landscape and ink painting: the works, the details, and the pleasure of spending time with them.

Original blue-green landscape illustration with layered mountains and winding water, inspired by shanshui painting but not a historical artwork
Article 01

How to Read Chinese Landscape Painting: A Guide to Shanshui

A practical introduction to Chinese landscape painting, from mountains and water to Wang Ximeng’s Northern Song masterpiece.

Original illustration of a Chinese landscape handscroll partly opened on a table, with mountains and a river appearing section by section.
Article 02

Why Chinese Handscrolls Are Meant to Be Seen a Little at a Time

A Chinese handscroll unfolds gradually. Learn how its format changes the way we see landscapes, details and distance.

Original blue-green landscape illustration with layered mountains and winding water on textured ivory paper.
Article 03

What Is Blue-Green Shanshui?

Explore blue-green shanshui, the Chinese landscape tradition shaped by rich blues, greens, mountains and water.

Original ink illustration of a vast mountain with a tiny caravan on a path below.
Article 04

The Tiny Travellers Beneath Fan Kuan’s Mountain

Learn to look at the towering mountain and tiny travellers in Fan Kuan’s Northern Song landscape painting.

Original ink landscape illustration of bare trees, a thawing stream and mist in early spring.
Article 05

How Guo Xi Paints the Feeling of Early Spring

Discover how Guo Xi used mist, ink washes and small human details to evoke early spring in a Northern Song landscape.

Contemporary room with a framed original ink landscape image above a low wooden sideboard.
Article 06

Choosing a Chinese Landscape Image for Your Home

A practical guide to choosing a Chinese landscape image: check format, proportions, image detail and the space where you will view it.

Original monochrome landscape illustration with low hills, a broad river, trees and a small pavilion on warm paper.
Article 07

What Ink Can Do: Looking at *Dwelling in the Fuchun Mountains*

Explore how changing ink tones, brushwork and open space shape Huang Gongwang’s *Dwelling in the Fuchun Mountains*.

Original ink illustration of two bamboo stalks, varied leaves and a dark rock against open ivory paper.
Article 08

Looking Closely at Bamboo and Rocks in Chinese Ink Painting

Look beyond the familiar symbolism of bamboo to the brushwork, spacing and living details of Zheng Xie’s *Bamboo and Rocks*.

Original illustration of an imagined ink landscape with several red seal marks.
Article 09

What Do the Red Seals on Chinese Paintings Mean?

Learn why Chinese paintings carry red seals, who added them, and what those marks can and cannot tell you about a work.

Imagined ink mountains framing an open area of pale paper, with a tiny boat in the distance.
Article 10

Why Does Chinese Landscape Painting Leave So Much Blank Space?

Blank paper in a Chinese landscape can suggest water, sky, mist, or distance. Here is a practical way to read the space around the ink.

Original ink landscape showing a tall peak, a winding valley, and a broad river horizon.
Article 11

How Do Chinese Landscapes Show Distance Without One Vanishing Point?

Learn to spot high, deep, and level distance in Chinese landscapes, and see why a painting may offer several ways to travel through space.

Imagined landscape scroll beside a brush, with abstract non-readable calligraphic marks.
Article 12

Why Is There Writing on a Chinese Painting?

The writing on a Chinese painting may be a poem, dedication, signature, or later response. Learn how image and inscription work together.

Original illustration of a hanging scroll on a wall and small painted album leaves on a table.
Article 13

Handscroll, Hanging Scroll, or Album Leaf: What Is the Difference?

Compare the handscroll, hanging scroll, and album leaf. Their shapes change how a Chinese painting is viewed, stored, and reproduced.

Original ink illustration of pine, bamboo, and plum blossoms around open paper.
Article 14

What Are the Three Friends of Winter in Chinese Art?

Discover why pine, bamboo, and plum appear together in Chinese art, and how to read their forms before jumping to symbolism.

Original ink illustration of mountains receding behind pale mist above a river.
Article 15

How Does Mist Create Depth in Chinese Landscape Painting?

See how mist separates near and far mountains in Chinese ink painting and learn a simple way to follow its changing spaces.

Original diptych contrasting a detailed garden scene with a spare ink mountain landscape.
Article 16

Literati Painting and Court Painting: What Is the Difference?

A beginner-friendly comparison of Chinese scholar and court painting, with practical clues in brushwork, purpose, and patronage.

Original illustration of a landscape print being examined beside a magnifier and color samples.
Article 17

What Should You Check Before Buying a Chinese Painting Print?

A practical checklist for choosing a Chinese painting reproduction: identify the source, format, crop, color, size, material, and seller terms.

Original ink scene with a small riverside figure in one corner and broad open sky and water.
Article 18

Why Does a Ma Yuan Landscape Leave So Much Open Space?

Learn how Ma Yuan’s focused compositions guide the eye, and why an open area can be as active as the painted corner.

Detail from Zhang Zeduan’s handscroll showing the arched Rainbow Bridge crowded with people and a masted boat passing beneath it.
Article 19

How to Read Along the River During the Qingming Festival

A practical guide to Zhang Zeduan’s Northern Song handscroll: how to move through it, what to look for at the Rainbow Bridge, and what the painting does not tell us.

Original illustration comparing invented ink landscapes on textured paper and softly lustrous silk.
Article 20

Paper or Silk? How the Surface Changes a Chinese Painting

Chinese paintings were made on both paper and silk. Learn what the support can tell you—and what it cannot—when viewing a work or choosing a print.

Original ink landscape with a narrow waterfall between layered cliffs and a small pavilion.
Article 21

Why Do Waterfalls Appear in Chinese Landscape Painting?

A waterfall can guide the eye through a Chinese landscape. Learn how to look at its path, scale, brushwork, and relation to mountains.

Original ink illustration of one fisherman in a small boat on a wide river below distant mountains.
Article 22

Why Is There a Lone Fisherman in So Many Chinese Landscapes?

A small boatman can change the scale and meaning of a Chinese landscape. Learn how the fisherman motif works and why context matters.

Original illustration of an imagined autumn handscroll changing from sparse trees to denser mountains.
Article 23

How to Read Shen Zhou’s Autumn Colors among Streams and Mountains

Follow Shen Zhou’s long autumn handscroll and see how changing brushwork evokes several earlier masters without becoming a simple copy.

Original illustration of two invented ink landscape studies with related but distinct brushwork.
Article 24

Was Copying Old Masters Creative? Looking at Wang Hui

Wang Hui studied earlier landscape painters, then recombined their brushwork and forms. Learn why an “after” painting is more than a duplicate.